https://robgoyanes.com Rob Goyanes Thu, 09 Jul 2020 21:19:38 +0000 https://robgoyanes.com en https://robgoyanes.com/About Thu, 09 Jul 2020 21:19:38 +0000 Rob Goyanes https://robgoyanes.com/About <img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/732dfd8df89ad3f7ea37ee05460e7fb0358148afa42fc92978f0959d65a698e8/James-Rodrigues-Goyanes-headshot.jpg" data-mid="231723366" border="0" src="https://freight.cargo.site/w/1000/i/732dfd8df89ad3f7ea37ee05460e7fb0358148afa42fc92978f0959d65a698e8/James-Rodrigues-Goyanes-headshot.jpg" />Photo by James Rodrigues<img width="2665" height="1899" width_o="2665" height_o="1899" data-src="https://freight.cargo.site/t/original/i/a70ed300dd087437650a54e43d3d7ab17fc3c9ccecdef56e2b2983da36bcdfab/IMG-9360.JPG" data-mid="77128665" border="0" src="https://freight.cargo.site/w/1000/i/a70ed300dd087437650a54e43d3d7ab17fc3c9ccecdef56e2b2983da36bcdfab/IMG-9360.JPG" />Postcard for Domingo Castillo’s exhibition “New Acquisition,” 2019 (Still from “One Froggy Evening,” 1955) Rob Goyanes is a writer and editor from Miami, Florida, living in Los Angeles. His writing has appeared in The Paris Review, Los Angeles Times, New York Review Books,&nbsp;Frieze, and his Substack Authority Complex. Communications, copywriting, and editing work is run out of Goyo Editorial. Feel free to reach out with inquiries.&nbsp; Contact:&nbsp;robgoyanes@gmail.com Some press: “A Peek Behind the Bloodstained Curtains of the Blacklips Performance Cult,” The New York Times Magazine, 2023 Paper Trail, Bookforum, 2021 “Aesthetics and Politics at the New Museum Triennial,” Peter Schjeldahl,&nbsp;The New Yorker, 2018&nbsp; <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/be72728efaa16cd4b624b54f24d55bba07d6134de7a4776feb02b6b008f71051/ask-a-tree-flyer-final.jpg" data-mid="134367413" border="0" src="https://freight.cargo.site/w/1000/i/be72728efaa16cd4b624b54f24d55bba07d6134de7a4776feb02b6b008f71051/ask-a-tree-flyer-final.jpg" /> SELECTED Writing 2025. “Ghost tours: at the SCAD Museum of Art,” e-flux 2024. “Haitian artists in the spotlight,” Art Basel 2024. “Those That Are Fools: At Clownchella,” The Paris Review 2024. Distant Ruptures, interview with CF, New York Review Comics 2024. “Wading Through: The uncanny pull of Ahmed Morsi’s fish,” Frieze 2023. “Letters to the Lost,” Los Angeles Times 2023. “Gala Porras-Kim wants to know: ‘Can a museum be a cemetery? Or a Crate &amp; Barrel?’” Los Angeles Times &nbsp; 2023. “Sak pase? N’ap boule: Viktor El-Saieh’s TIM-TIM,” Burnaway 2022. “Double Fantasy,” CREEM &nbsp;2022. “Love Language” (parts 1, 2, and 3), Cultured 2022. “Faith Ringgold at New Museum,” Spike 2020. “Seduce and Destroy: Hannah Levy’s Dangerous-Looking Sculptures,” Art in America 2019. “The Ecological War on Gaza,” Jewish Currents 2018. “Last Resort,” Affidavit 2018. “How a Russian Librarian Aimed to Cheat Death,” GARAGE 2017. “I Won’t Fear My Passions Like a Coward,” Los Angeles Review of Books 2017. “A Palace of Unsaids,” e-flux journal &nbsp;&nbsp;&nbsp; 2016. “An archive reveals the personal and political realities of Iraqi Jews, but mysteries remain,” The Miami Herald&nbsp;&nbsp; 2015. “Asif Farooq’s Paper Plane,” Interview Editing &nbsp; 2026. Michael Asher, MOCA Los Angeles (wall text editor) 2026. Ties of our common kindred, Glenstone (wall text editor) 2025. Alex Katz: White Lotus, GRAY (catalogue copyeditor) 2025. MONUMENTS, MOCA Los Angeles (wall text editor) 2024. the future is present, the harbinger is home, Prospect New Orleans (catalogue consulting editor) 2024. McArthur Binion and Jules Allen: Me and You, GRAY (editor and proofreader) 2023. A Dark Plunge, Torkwase Dyson, GRAY (editor and proofreader) 2023 - 2024. Art Basel Stories (copyeditor) 2023. Blacklips: Her Life and Her Many, Many Deaths, ANOHNI and Marti Wilkerson, Anthology Editions (assistant editor) 2022. News, Sports, and Weather: Televisual Tactics in Black Art, 1973-1994, Northwestern University PhD dissertation, Grace Deveney (editor) 2022. Cultured magazine, April/May issue (senior editor) 2021. “Shannon Cartier Lucy and a Web of Uncertainty,” Hassla Books (copyeditor) 2017 - 2021. American Way magazine (copyeditor) 2016. Phillip and Patricia Frost Museum of Science (website proofreader) Grants &amp; awards 2021. City Artist Corps Grant, New York Foundation for the Arts&nbsp; 2017. Art Writing Workshop, IACA/Creative Capital/Andy Warhol Foundation 2017. Public Space Challenge, Miami Foundation (Miami Music Club) 2017. Bas Fisher Invitational, Open Call for Projects (Miami Music Club) 2017. Mastermind Award, Miami New Times (Miami Music Club) 2016. Knight Arts Challenge, John S. and James L. Knight Foundation, (Miami Music Club) 2013. Community Supported Art Program, Cannonball&nbsp; 2012. Miami Writer’s Prize, Artlurker&nbsp; Residencies &amp; teaching 2026. Generative Non(?)fiction workshop, Poetry Field School 2024 - present. The Prose Workshop (private one-on-one workshop) 2019. Key West Literary Seminar, writer-in-residence 2018. Contemporary Art Stavanger, Residency in Art Writing, Stavanger, Norway 2017. Crypta747 Residency, shortlisted, Torino, Italy 2016. ICA, Miami: Residents (Miami Music Club) 2015. Writer in Residence, Meta-Gallery at Locust Projects, Miami 2014. Teacher in Residence, MOCA, North Miami 2013. Writer in residence, General Practice, Miami